At Narratio Vitae (“life story” in Latin), we constantly encounter the undying reflections of our clients’ pasts, and we revel in the thrill of a good ghost story. This Halloween, three movies reign as genuinely creepy ghost stories. We highlighted Demons last week, and here’s a second for your consideration…
Under the Shadow is the story of a girl and her mother haunted by a jinn – a supernatural creature of Arabian and Islamic mythology – in their apartment in war-torn 1980s Tehran. Unlike many recent ghost stories that rely on cheap scare tactics, Under The Shadow slowly builds emotional tension as the story progresses, setting up for a fearful crescendo. The LA Times calls it “a brilliantly conceived thriller, about a woman plagued by dark forces both inside and outside her home.”
The Wall Street Journal nailed it with their recent article on 18-year-old Jonathan Puckett, who has researched and documented over 25,000 of his ancestors. Jonathan was trying to understand how he fits into his network of ancestors, and what traits they might have passed on to him. There’s no better reason to dedicate years to genealogical research than to develop a meaningful family narrative. Hats off from Narratio Vitae, Jonathan!
Read the WSJ article at http://www.wsj.com/articles/when-searching-your-ancestry-means-finding-a-sense-of-possibility-1474999867
“Thoughts In Passing” is a growing exhibition of people’s life lessons as they age. The collection offers sublime views of human nature, and reminds us of the difficulty of characterizing our loved ones based only on the records they leave behind. It’s a problem that Narratio Vitae continually works through as we develop family narratives, and we’re grateful to artist Claudia Bicen for her encouragement of a thoughtful storytelling technique.
According to researchers at the UK’s University of York, life story work – like the kind that Narratio Vitae does for its clients – has good potential to help those suffering from dementia.
The University of York scientists reported in early September that “Conducting a national survey of family carers and dementia service providers, along with an in-depth analysis of life story work in six care homes and four hospital wards, researchers tested the feasibility of doing a full scale evaluation of life story work in these settings. The study concluded that life story work has the potential to help people with dementia, but a full scale evaluation is needed.”
Here’s hoping the full scale study confirms the initial findings. At Narratio Vitae, we’re already certain that the act of digging through old pictures, reviving foggy memories, and piecing together partial genealogies can recharge long-dormant synapses.
Ashley Taylor Anderson provided a glimpse of the future of storytelling in her recent B2C article. “Immersive VR” – the ability of users to interact with the story in virtual reality – promises to be the big next step in storytelling, and of course marketing. Soon we’ll see “gamification” of VR, the use of VR for documentaries (such as The Guardian’s exploration of solitary confinement, below), and the use of VR for animated films.
How should historians use VR? At Narratio Vitae (“life story” in Latin), we develop family narratives for customers by deeply researching existing family stories and building out families’ lineages. We’re always eager to integrate new technology into our work and we’d be interested in your thoughts.
The digitization of historical records came with the promise of durability and easy use, but there’s a glitch… as we come to depend on these digital records, we’re not preserving originals the way we used to, and most users are unaccustomed to using the originals. Many historical digital archives are poorly funded, so if that funding dries up and the site goes dark, both the digitized version and the original version can be unusable.
A recent article in Slate about the loss of digitized Milwaukee newspaper records reminds us of the fragility of these records. At Narratio Vitae, we’re dedicated to doing the research into these records to find your family history, and to developing that history into a lasting family narrative. Get started on your family history before the memories are lost!
One of the most gratifying moments of Narratio Vitae‘s family history research is that aha! moment of discovering – after hours or days of searching – a truly captivating image of a customer’s ancestor. In the case of our current development of the Quinn family’s history in Boston, we discovered something just about perfect…
The Quinns knew their great grandfather, John, was a track star, but they had never seen the coverage that he received during his stardom. The image above is from an 1897 edition of the Boston Globe, featuring the young John Quinn’s victories on the track. An image like this is gold… and will be a perfect addition to the Quinn family narrative.
George Helon in his recent article has highlighted the limits and frustrations of all those free trials being offered by genealogy data providers. And it’s true… while the big sites offer a ton of data, users should be careful that they don’t take other users’ statements at face value. Too often, family histories on these sites are unsourced and poorly researched.
Narratio Vitae will work with you to collect your existing records, prove (or disprove!) your family’s legends, and develop those records and stories into a strong and lasting family narrative. Let us deal with the data providers.
Narratio Vitae is inspired by a new family history project by the storyteller Yodith Dammlash. She’s published a creative photo-biography of her family at her website, recently featured in The Week. She has superimposed photos of her family as they’ve aged, producing a ghostly remembrance of them. According to The Week, “This series is made to honor those who have passed,” she said, “to make sense of and peace with the stories I’ve been told over the years and to shed light on the multifaceted narrative of the Diaspora.”
At Narratio Vitae, we’re always looking for new ways to integrate photos into our customers’ family narratives (here’s one example), and Dammlash has given us new ideas.